Pigments through the Ages

            
Intro to the greens

  1.  Intro  
  2. Antiquity  
  3. Middle Ages & religion  
  4. Power &
effects
 
     Introduction

Green is the color of life, of plants and of spring. Green is the color of the seasonal renewal and the triumph of spring over cold winter and thus of Hope and Immortality. The Chinese associate green (and black) with the female Yin - the passive and receiving principle. Yellow, on the other hand, is associated with the male Yang - the active and creative principle.

Green can be produced by mixing blue and yellow (additive mixing) and thus unifies the spiritual aspect of blue and the emotional warmth of yellow. Both of these aspects bring about growth and wisdom. Green is also known to connotate lack of experience.

Nature and the color green has been revived in Impressionism partly because of the advent of tubes for pigments which made it possible to paint directly on location. Monet uses in this painting the color of hope together with the symbol of a bridge. The bridge stands for uniting peoples and revives hope for peaceful future. Bridge and rainbow are similar in their meaning, the rainbow symbolizing the bridge between Heaven and Earth and thus connecting the material world with the realm of the divine.

Color green in the Alchemy

Solvents for gold were named "Green Lion" [external link] or "Green Dragon" by the alchemists. Such liquids were instrumental in the beginning of the alchemistic Opus Magnum. Transparent green crystal symbolized the "secret fire" which represented the living spirit of substances.

     

Claude Monet, The Japanese Bridge, 1899 (Detail)
(show full screen)

Learn about the following greens      
(main greens page) - verdigris - Emerald green - malachite - viridian - copper resinate      
Cobalt green - Green earth      

 Look for:    
webexhibits.org/pigments   -   Credits & Feedback  -   Bibliography